Studio practice

Technique

My work is hand built using slab construction and coiling and is guided by an organic approach to form. Working with primarily New Zealand clays, I often incorporate sand, ash, plant fibre and recycled rock fines to build surface character. Forms are layered with oxides, slips, engobes, glass frit, dry glazes, and raw clay finishes.

Process

My process is iterative: pieces are carved, glazed and re-carved across multiple drying and firing stages. By continuously revisiting each piece, form, color, and texture accumulate over time in a shared dialogue with the material.

Scale & Scope

Beyond standalone sculptural works, my practice extends into site-specific installations and multi-element compositions.